Through the Glass: Now for the Knuckle Ball

As you read this post I will already have been in surgery for several hours………..

In keeping with my earlier Baseball Reference, we move on to the famous Knuckle Ball Pitch.  As you read this I will be entering a second round of surgery.  The first was successful as far as it went.  But the location and geometry of the Tumor require a second entry point on the side of my head behind the left eye.

Below my surgical pre-visualization image………And following the Dylan Thomas Poem……with the most memorable lines highlighted

“Do not go gentle into that good night”

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Do not go gentle into that good night

Dylan Thomas1914 – 1953

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

The Story: Imagining the Image

Imagining the Image:  What happens when I think before I shoot?  I’ve heard this in workshops;  see the image first.  But usually the workshop leader drifts off into concepts of composition………

And that misses the point.  I have had one particularly good workshop with Cole Thompson, where we discussed seeing what you want the final image to be, and how to capture the image towards that end.  Really Imagining the Image….First!

*(Cole’s discussion of personal vision is also excellent…take a workshop with him if you get the chance.  I don’t endorse many people like this).

Reflecting on some recent photographic success, I found that for ALL of these images, without exception, I SAW the image BEFORE I captured it!  Even without realizing.  I had pre-visualized.  Everything on my “Now Showing Page” and some not there (that I personally consider successful), were all made that way.  So I’m adding some favorites here (some blasts from the early days included), where Pre-visualization really was the key to personal satisfaction for me.  And  the stories behind the image……..

This Kiva I had visited years before.  Taken a few quick tourist images and moved on with my Road trip.  I wanted to revisit those images and they were ‘lost’ in 20+ years of disorganization.  They were also color 35 mm and I was doing B&W now.  So when I had the opportunity to revisit this site, with a photographic concept in mind, this was the result:

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So inspired by Jason Avery’s #filmtober Question #27 “What do you look for when on location for a photo?”  Over the next several months, I will pursue the story behind my images.  These will all be tagged as Intersections and The Story……

The Story Image Collage #1:

 

Alternate: Rediscovering My 35 mm Soul…

I asked my self this question very recently: Can one photo make a difference? You Betcha! And here is the photograph that made the difference for me:

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For more than a decade I’ve focused on Medium format photography (Mamiya 7, Mamya 6, Mamiya 645). This left my half dozen or so Minolta 35 mm cameras very unloved. Oh, I would occasionally take them out for road trips; my snap shot, on the go cameras. For those time you just want to jump out of the car and take a quick picture, without dragging out the carefully pack ‘real’ camera gear. But I’ve increasingly used my ‘hand me down’ Nikon D-40 for that purpose.

Last Spring I decided to roll with my Minolta XD-11 as the road trip camera. We were on the highway, heading home from a photography workshop. My husband had seen an abandoned bridge he wanted to photograph on our outbound trip, but the light was not ideal. So we stopped on the way back at the same roadside rest area.

While he was setting up his 4X5 view camera, I grabbed my 35 mm and wondered around. And I saw this image across the road. I walked over for a closer look. Took a couple of quick shots, and wondered back to the car.

Later in the year I actually printed this image in my home darkroom and shared it with my photographer friends, and showed it at a friends gallery. The response was so positive that I entered it in an online gallery contest. And Success! It made me re-evaluate my relationship with my Minolta cameras (XD-11, X-700, SRT-201, SRT-101). I also realized that I should not discard 35+ years of experience with this camera format.

So take a second look with those 35 mm cameras that you’ve packed away. Most won’t sell for much on EBay. So use them, or pass them on to the many student film photography programs that are asking for donated cameras. One that comes to mind is the Weston Collective Scholarship Program. And if you know of others, please feel free to leave contact information in the comments.

And I leave you with this thought, generations of photojournalists made a difference with one 35 mm image.

Tech Info: Minolta XD-11 with Tamron 28-200 zoom lens; Kodak T-MAX 400 film.

Read the original Emulsive Article.

Also Part of The Story and Imagining the Image.

Back in the Saddle Again: At the Artist’s Studio

As usual I get Special Recognition of some kind…………We’ve discussed what that might mean before.

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The Symbol of My Journey

But I like the Light Space and Time Gallery………I think that they are Fair, so I’ll Keep supporting them.  Check it out and consider sending something in.

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Through the Glass: Post Surgery

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After 13 hours of surgery; 90% of my tumor removed (excellent for a brain tumor); and 5 days in the Hospital….All I have to show for it is my Mayo Clinic Mug!   I did get released on New Year’s Eve and had that time with my Family.  One final thing I can say about the surgery is that my brain is functioning differently and my visual and audio perceptions are different;  not reduced or degraded, just different.  I will continue to explore this issue during my recovery.  Although my traumatic brain injury was planned and controlled, there are still ramifications I’ll be dealing with further down the line.  How will this affect my Artistic Vision?

What I have also experienced is the highest level of health care service EVER IN MY LIFE!  I want everyone to have this level of care!!!!!!

On January 23rd I start my Proton Beam Radiation Treatment.  Last year a friend of mine died from Esophageal Cancer.  The Proton Beam treatment was an option for his cancer that was never offered to him, because it wasn’t covered by his insurance.  I AM PISSED that he didn’t at least  have the option.