Silberra PAN 160

As part of my Arizona Project, I am testing some films.  Some completely new, like Silberra PAN 160 and PAN 100;  and films new to me like Ilford FP4.

 

 

Silberra is a new Russian film that has been in development for 10+ years.  I backed it in Indiegogo.  Today I’m posting results from my journey around the Phoenix area: Below, Four Peaks……..

4Peaks_Enhanced

I’ve discussed on my Photo Diary, some problems that I’ve experienced with Silberra Film (and similarly with Ferrania P30).  My main problem was controlling the contrast and exposure.  All of the images here have been adjusted significantly in PhotoShop.  I am largely a T-MAX 400 + Ilford user (especially SFX-200).

 

So I am posing the question here (also on Twitter as a survey):  How many types of film is it possible to be an expert user?  I like supporting new films, but I’m really into getting my best results that can also be printed in the darkroom without a tremendous effort in manipulation.

Print your comments here and I will include them in a future article:

 

 

Through The Glass: Post Surgical Thoughts on Mis-diagnosis or Missed Diagnosis?

mayo_phoenix_hospital

Is there really a difference?  My Colorado Medical Team ignored an obvious abnormality that should have been dealt with 8 months sooner.  They refused to listen to my ophthalmologist, who was eventually the Dr that sent me to the emergency room, leading to the proper diagnosis.

So now I am left to deal with the consequences.  My Oncologist and the first Neurosurgeon assigned to review my case specifically told me there was “nothing to see here.”  Well I refused to allow that surgeon to perform my biopsy and moved on to someone that I could trust.  My new surgeon had the connections to get me to the Mayo Clinic, and that’s where I am.

MyQuickCut

I started with a close-cut, realizing that the second surgery would require shaving my head and would leave me with a nice scar to share with Scott…….and work not only on the tumor, but also an aneurysm that was discovered during MRI imaging.

The Aneurysm turned out to be too small to deal with now, but is on my list of items to keep and eye on. The ‘goop’ on my head is surgical superglue;  no stitches here.  I have no complaints about my Mayo Clinic Medical Team….I feel like they actually want to make me whole again.  I now have tiny metal plates holding my skull bone in place.

 

So I await the planning for my Proton Beam Radiation Treatments.  Hopefully home by May and settling back in to my normal life.  I’ll find out soon about the placement of the metal alignment pins for the Beam.

Looking forward to the future, how do I feel about my Boulder Team’s Ability to monitor possible tumor regrowth and that aneurysm? That I will explore with the Social Workers here……..

For Valentine’s Day: My Diana Camera Infatuation

I’ve played around with Holga for years, after being introduced to Plastic Cameras in an Experimental Photography class back in Monterey. And even though I spent 6 months shooting Holga for the 52 Rolls Project back in 2016, I never quite developed a sincere affection for it.

Plastic cameras are fascinating though and I’ve continued to experiment with many types. But something weird happened when I was ‘given’ this 110 format Diana with one of my Lomo purchases:

Mini_diana

The 110 roll actually forms the back of the camera. It literally sat in my basement for years. And one day I decided to unpack and try it.

Mini_diana2

The results were better than expected:

So what is the Pre-Lomo Origin of the Diana Camera? The Diana camera originated in the 1960s, produced by the Great Wall Plastic Co. in Hong Kong.  Production continued through the 1970s but ceased sometime thereafter.

Check out some Diana Camera History here: https://en.wikipedia.org/wiki/Diana_(camera)

And Here: http://camera-wiki.org/wiki/Diana

Fast Forward to 2018 Pinhole Day Preparations; All kinds of items on sale for promoting Pinhole Day. Having had some success with the Holga Panorama Pinhole, I decided to try the Diana Pinhole. After all, that 110 cameras wasn’t a real camera!

Diana_Multi_Pinhole

I had read an article on Hand Held Pinhole Street Photography, and decided to use the Diana for that. And then I was hooked!

LilyLake_PinholeDay_2018

So it was just a matter of time before the Ultimate Diana entered my life:

The_Diana

…………and with inter-changeable lenses. Are you kidding me! Of course a sale attracted my attention, offering the soft focus telephoto as another one of those seductive Lomo ‘Gifts’. So, it was going to be mine, with the addition of Fish Eye and Close-up lenses. Arriving in time for the newly promoted ‘Diana Day’ on August 4th.

 

Diana F+ Macro

Rose_Sharon

One limitation on the Macro is the suggestion tat you carry a small ruler since the precise focussing range is 6 inches.  I just “guestimated”.  Not carrying a ruler around with me, and it worked out pretty well.

Datura_D

Diana F+ Fish Eye

And No Fisheye post would be complete without my Feet!

Squash_Fisheye

Oh please do not come out with a new Diana Model! I’m not sure I can handle it……..This is getting almost as bad as my Mamiya Addiction, and you don’t want to know how many of those cameras I have!

The Story: Shooting Digital Like Film

LongCanyonTree_FinalCrop

First the Quote from Frank H. Wu on 35mmc:

“The lesson to be learned about life is that we, or at least I, do not appreciate as much what I have been given as what I have had to bargain for. I earn my film photos. I have to be able to afford it. That means repeatedly. Each and every satisfying click and whirr is a few pennies, which must be in the pocket. I am automatically averse to waste.”

The conclusion is that His film photos are always personally more satisfying (and often objectively better) than His digital images.

My best photos are definitely film.  One of last year’s successes IS digital (shown above), but I planned and captured the image like it was film.  I saw the potential image, walked around the scene looking for the best angles, made three images; taking into consideration how I might crop the final images as well.  And THINKING like a film photographer avoids Waste.  For a digital Photographer, the “waste”  is all that time you spend in front of the computer sorting through hundreds of images that you would never use. For any given scene, when shooting film I have at most 4-5 images to sort through.  If you think film is expensive, what is all that time you spend in Lightroom or Photoshop worth?  The most I do in Photoshop is adjust the contrast and brightness for posting online.  In the (real) Darkroom  I do the film tests and adjust the Contrast using filters.  Of course, if I have used the proper contrast filter and exposure when capturing the image, adjustments will be straight forward.  Hmmmm……I’m feeling that I need to write a post on Contrast Filters,  coming soon!

 

The Story: Wyoming Cloud

Taken from the same location along the Roadside in Wyoming…….The joy of having two Mamiya-7’s, allowed me to make these images literally seconds apart.

strikingcloud

I was testing Kodak Portra 400 (as my new color film) and looking for good opportunities to make a few images with Ilford SFX-200.

wyoming-cloud

But more importantly I saw this cloud in the distance and we pulled over so I could capture the Image.  I Imagined the Image first. I would probably adjust the brightness/contrast for the B&W image to bring out more of the detail that you can see in the color image, because I know that detail is there……..I’ll repost once I’ve done that.