I have to admit that I was disappointed with early my 35 mm E100 results. I felt that the film was cold and realized that it was based on the old E100G, a film I only used with a warming filter. My favorite of the old Kodak E-6 films was E100GX, the warm toned film. I used it extensively in Patagonia and mourned its loss. You can also check out our first Patagonia Calendar.
But I digress. Let’s get back to the purpose of this study: Kodak E100 versus Fuji Velvia 50. After my E100 doubts I happened upon this old Velvia 50 image of Boreas Pass and thought about a comparative test:
So I set up my two Mamiya 6X7’s for the test. There was one difference: The Velvia 50 camera had a 43 mm lens and the E100 camera had a 50 mm lens. We can debate if that makes a difference, but for Showdown Part II, I’ll be using matching camera set ups. So hold your argument for later.
Here are the side-by-sides: Think about which is which and I’ll tell you at the end.
Details regarding what I learned from this Owl are discussed in my next posting…………
In all cases the top image is Kodak E100 and the bottom image is Fuji Velvia 50. There were no adjustments made to color balance. You may note that the Velvia 50 images are more color saturated and have some purple or pink in the sky. The E100 is less saturated and has a colder sky. Now it’s up to you. Which do you prefer? Keep in mind that this is an overcast sky. So I’ll add one more pair. I wanted to capture my purple house, but in the morning the house was too dark. But you can see that with a clear sky the Velvia 50 (bottom image) has the saturated blue sky:
The snow is still holding that purple cast in the Velvia 50 image. E100 has a truer presentation of the snow. Comments, perspectives appreciated.
Next, we’ll take a look at my Garden Flowers using my Mamiya 645’s both with 80 mm macro lenses.. Since I have something blooming all summer, I’m shooting two rolls of each film throughout my gardening season, and I’ll post as I go……..