I typically use Ilford SFX-200 as my IR-Sensitive film. When I started, I used it with my darkest red filter:
But now I use my IR-695 filter:
Recently I’ve had two IR-sensitive film come my way: Rollei Retro 80S and Washi-Z. Let’s start with the Rollei film. Because of my positive experience using the 695 filter, I tried this with the Retro 80S. It resulted in interesting but very high contrast images:
Compare this to T-MAX 400 with a Dark Red filter (sorry that’s the film I had in the other Mamiya-7 at the time):
Here a direct comparison of the same scene, SFX-200 and Retro 80S, both with the IR-695 filter:
Can you tell which is which? The Retro 80S is the upper image, the SFX-200 is the lower image. The SFX image preserves the fine high altitude clouds better…..
I have recently read an article on the Retro 80S, where the author only used the dark red filter. @EMULSIVEfilm also has another recent article comparing Retro 80S and Retro 400S, again both using the dark red filter. So now I’m going to embark on a set of side by side Retro and SFX images making, using only the dark red filter. Can’t wait to see what happens……
Washi-Z discussion coming in Part II.
3 thoughts on “Prelim Discussion of IR-Sensitive B&W Films Part I: SFX-200 and Retro 80S”
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That is my goal for working with IR-Sensitive films. The Bucky Butte is fine in TMAX400 but has real Drama in Retro 80S.
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