What the Irises Tell Us About Velvia 50 and E100 Films

The Irises display more of a difference, being both richer is color and truer to the colors I saw. You’ll have to trust me on that.  I had intended to make Portra 400 images for all the garden shots, but that camera malfunctioned.  However, I do have some Portra 400 35 mm images.  One posted ant the end for comparison.  As before, you’ll have to make your choice based on which color balance you prefer.

We will start with Yellow Irises, since we did see a difference in the Yellow Tulips:

 

As before, the E100 is on the left and the Velvia 50 is on the right.  You can see the richer saturation in the Velvia 50.  Something that we are expecting.

 

Varying the contrast and brightness had no affect on the absolute color, which is what we are interested in here.

Now we move on to Purple, which was a color that Velvia 50 favored in previous examples:

 

As before, E100 on the left and Velvia 50 on the right…….

 

For me, the Velvia yields a more attractive color and is closer to what I saw.  Now let me tell you a little secret.  Once in a Physics experiment in college, it showed that I tend to see a little bit into the UV spectrum.  That is probably why the richer purples appeal more to me.

However, if you want truer color I think we have to get out the Portra 400 (below).  Again, I think it is an aesthetic choice…….

 

Portra_Purple_Iris

3 thoughts on “What the Irises Tell Us About Velvia 50 and E100 Films”

    1. In the end, I’ve decided to use the Portra 400 as my color film…….I’ve had a few years to get used to it and the E100 simply returned too late and too cold for me. I have a special use for the Velvia 50 that I am testing now. More on that later,,,,,

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