Category Archives: Intersections

The Story: Shooting Digital Like Film

LongCanyonTree_FinalCrop

First the Quote from Frank H. Wu on 35mmc:

“The lesson to be learned about life is that we, or at least I, do not appreciate as much what I have been given as what I have had to bargain for. I earn my film photos. I have to be able to afford it. That means repeatedly. Each and every satisfying click and whirr is a few pennies, which must be in the pocket. I am automatically averse to waste.”

The conclusion is that His film photos are always personally more satisfying (and often objectively better) than His digital images.

My best photos are definitely film.  One of last year’s successes IS digital (shown above), but I planned and captured the image like it was film.  I saw the potential image, walked around the scene looking for the best angles, made three images; taking into consideration how I might crop the final images as well.  And THINKING like a film photographer avoids Waste.  For a digital Photographer, the “waste”  is all that time you spend in front of the computer sorting through hundreds of images that you would never use. For any given scene, when shooting film I have at most 4-5 images to sort through.  If you think film is expensive, what is all that time you spend in Lightroom or Photoshop worth?  The most I do in Photoshop is adjust the contrast and brightness for posting online.  In the (real) Darkroom  I do the film tests and adjust the Contrast using filters.  Of course, if I have used the proper contrast filter and exposure when capturing the image, adjustments will be straight forward.  Hmmmm……I’m feeling that I need to write a post on Contrast Filters,  coming soon!

 

Through the Glass: Now for the Knuckle Ball

As you read this post I will already have been in surgery for several hours………..

In keeping with my earlier Baseball Reference, we move on to the famous Knuckle Ball Pitch.  As you read this I will be entering a second round of surgery.  The first was successful as far as it went.  But the location and geometry of the Tumor require a second entry point on the side of my head behind the left eye.

Below my surgical pre-visualization image………And following the Dylan Thomas Poem……with the most memorable lines highlighted

“Do not go gentle into that good night”

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Do not go gentle into that good night

Dylan Thomas1914 – 1953

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

The Story: Imagining the Image

Imagining the Image:  What happens when I think before I shoot?  I’ve heard this in workshops;  see the image first.  But usually the workshop leader drifts off into concepts of composition………

And that misses the point.  I have had one particularly good workshop with Cole Thompson, where we discussed seeing what you want the final image to be, and how to capture the image towards that end.  Really Imagining the Image….First!

*(Cole’s discussion of personal vision is also excellent…take a workshop with him if you get the chance.  I don’t endorse many people like this).

Reflecting on some recent photographic success, I found that for ALL of these images, without exception, I SAW the image BEFORE I captured it!  Even without realizing.  I had pre-visualized.  Everything on my “Now Showing Page” and some not there (that I personally consider successful), were all made that way.  So I’m adding some favorites here (some blasts from the early days included), where Pre-visualization really was the key to personal satisfaction for me.  And  the stories behind the image……..

This Kiva I had visited years before.  Taken a few quick tourist images and moved on with my Road trip.  I wanted to revisit those images and they were ‘lost’ in 20+ years of disorganization.  They were also color 35 mm and I was doing B&W now.  So when I had the opportunity to revisit this site, with a photographic concept in mind, this was the result:

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So inspired by Jason Avery’s #filmtober Question #27 “What do you look for when on location for a photo?”  Over the next several months, I will pursue the story behind my images.  These will all be tagged as Intersections and The Story……

The Story Image Collage #1:

 

Alternate: Rediscovering My 35 mm Soul…

I asked my self this question very recently: Can one photo make a difference? You Betcha! And here is the photograph that made the difference for me:

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For more than a decade I’ve focused on Medium format photography (Mamiya 7, Mamya 6, Mamiya 645). This left my half dozen or so Minolta 35 mm cameras very unloved. Oh, I would occasionally take them out for road trips; my snap shot, on the go cameras. For those time you just want to jump out of the car and take a quick picture, without dragging out the carefully pack ‘real’ camera gear. But I’ve increasingly used my ‘hand me down’ Nikon D-40 for that purpose.

Last Spring I decided to roll with my Minolta XD-11 as the road trip camera. We were on the highway, heading home from a photography workshop. My husband had seen an abandoned bridge he wanted to photograph on our outbound trip, but the light was not ideal. So we stopped on the way back at the same roadside rest area.

While he was setting up his 4X5 view camera, I grabbed my 35 mm and wondered around. And I saw this image across the road. I walked over for a closer look. Took a couple of quick shots, and wondered back to the car.

Later in the year I actually printed this image in my home darkroom and shared it with my photographer friends, and showed it at a friends gallery. The response was so positive that I entered it in an online gallery contest. And Success! It made me re-evaluate my relationship with my Minolta cameras (XD-11, X-700, SRT-201, SRT-101). I also realized that I should not discard 35+ years of experience with this camera format.

So take a second look with those 35 mm cameras that you’ve packed away. Most won’t sell for much on EBay. So use them, or pass them on to the many student film photography programs that are asking for donated cameras. One that comes to mind is the Weston Collective Scholarship Program. And if you know of others, please feel free to leave contact information in the comments.

And I leave you with this thought, generations of photojournalists made a difference with one 35 mm image.

Tech Info: Minolta XD-11 with Tamron 28-200 zoom lens; Kodak T-MAX 400 film.

Read the original Emulsive Article.

Also Part of The Story and Imagining the Image.

Through the Glass: Post Surgery

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After 13 hours of surgery; 90% of my tumor removed (excellent for a brain tumor); and 5 days in the Hospital….All I have to show for it is my Mayo Clinic Mug!   I did get released on New Year’s Eve and had that time with my Family.  One final thing I can say about the surgery is that my brain is functioning differently and my visual and audio perceptions are different;  not reduced or degraded, just different.  I will continue to explore this issue during my recovery.  Although my traumatic brain injury was planned and controlled, there are still ramifications I’ll be dealing with further down the line.  How will this affect my Artistic Vision?

What I have also experienced is the highest level of health care service EVER IN MY LIFE!  I want everyone to have this level of care!!!!!!

On January 23rd I start my Proton Beam Radiation Treatment.  Last year a friend of mine died from Esophageal Cancer.  The Proton Beam treatment was an option for his cancer that was never offered to him, because it wasn’t covered by his insurance.  I AM PISSED that he didn’t at least  have the option.

Through The Glass: Terms and Conditions

As You read this I will be in surgery for my brain tumor; thoughts, prayers and well wishes appreciated.  And the image below will be ‘unpinned’ from my Twitter page, because hopefully after my surgery I will have clarity and not ambiguity…..

I also want to explain how my ‘medical updates’ will intertwine with my normal Photographic Posts.

And this is the ONLY time you will ever see a Biblical Quote here, but you will see the connection:

1 Corinthians Chap 13 verse 12: “For now we see through a glassdarkly; but then face to face: now I know in part; but then shall I know even as also I am known.” 

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The Symbol of My Journey

All of my Journey Updates will start with the heading:  “Through the Glass”  And I have added that tag to take you directly to these updates if you are interested.  I hope that you can see it refers to the Ambiguity of what I am facing.  That what made this image so timely.

Emulsive Secret Santa 2018: The Unboxing

My Secret Santa this year went far beyond the Call of Duty; including lovely English Goodies that I remember from my time living there in the early 1990’s.  And wrapped in Marks & Spencer paper that survived the international Post.   Thanks so much @robert_duncombe (instagram).

But let’s get to it:

Unboxed1

 

And the Goodies Are Revealed!

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Final Camera Kit

I love all of the cameras described here.  But it was totally unrealistic to think that I could use them all, even in three months time.  So these are the ones that made the journey………

 

 

The Mamiya 7 with 45, 50, 80 and 150 mm lenses.  The Minolta X-700 with 28-200 Tamron Adaptall lens and 50 mm macro lens.  I’ll mostly be using the 35 mm to test my Kodak E100 film.

Through The Glass Update: My Photo Travel Kit

So as I embark on my Medical Journey in Arizona, as  I am able I will be doing only Photography and Music as my therapies.  Most of my cameras are shown here.  But these are the ones I’m taking to AZ:

My Medium Format Favorite:  Mamiya 6X7: with 43 mm, 50 mm, 150 mm and 210 mm lenses.  But I mostly use the 43 an 50 mm.

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Mamiya 645 for more versatility.  This camera gives me all of the SLR options, including  a a nice 80 mm macro:

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The Fuji GA645Zi; My Medium Format Street Camera, because of the auto-focus and auto-advance.  Basically a medium format point and shoot;  which is why I got it.

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Pinhole Cameras: Diana Multi:  I’ve had a lot of fun with this camera over the past year.

Diana_Pinhole

The Reality So Subtle Pinhole:  Still working out the Range Finding on this camera.  I have the filter-option 6X6 model.  I have to say this camera has the smoothest mechanism of any Pinhole I’ve ever used.  So I’ll take it with me and work on the range (maybe I should watch some of the YouTube videos?)

ReallySoSubtle_Posted

And Finally, my “riding shotgun” always in the front seat and ready Minolta X-700:  My jump out of the car and shoot camera.  I have 3 of these and they are all going.  I use my trusty Tamron-adaptall 28-200 zoom.  A combination I have been using since the early 90’s.

Minolta_X700

OK, It occurs to me that I won’t really use all of these cameras in a 3-4 month period.  Which one would you leave behind?