I am a frequent participant in the #CameraChallenge. The April offering included a motion challenge which fits My Inner Monet. My strategy for ‘Motion’ was slow shutter speeds and simple motion. I used the Diana F+ camera and Lomo 800 film, as I was photographing for the April Frugal Film Project.
Above: a walk in the wind, and Below: mountain drive by.
And of course a Door because it is Thursday……The side entry photographed better than the Main Entrance. You may have noticed that this is Infrared.
Mission Santa Ines is located next to Solvang, California. It was founded in 1804. I was visiting a friend in Santa Barbara back in 2017 when I made this visit. I decided to use my Nikon-1, which was converted to full spectrum by KolariVision. I then used an IR filter to limit the exposure to Infrared.
Church was in session, so I wandered around outside and focussed my photography there. Obviously a full house with people standing in the doorway.
Views around the Courtyard, Above Left to Right: St Francis, Shrine to Santa Ines, Jesus.
Finally, below, the Cemetery:
I had the Nikon-1 converted after much frustration with IR-films. I do use IR-Sensitive Films and you’ll see some film tests coming soon.
Retrospectives are repostings of significant works from my old Photo Diary……….
And, some thought from yesterday’s Photo Diary on Windows and Walls……
I typically use Ilford SFX-200 as my IR-Sensitive film. When I started, I used it with my darkest red filter:
But now I use my IR-695 filter:
Recently I’ve had two IR-sensitive film come my way: Rollei Retro 80S and Washi-Z. Let’s start with the Rollei film. Because of my positive experience using the 695 filter, I tried this with the Retro 80S. It resulted in interesting but very high contrast images:
Compare this to T-MAX 400 with a Dark Red filter (sorry that’s the film I had in the other Mamiya-7 at the time):
Here a direct comparison of the same scene, SFX-200 and Retro 80S, both with the IR-695 filter:
Can you tell which is which? The Retro 80S is the upper image, the SFX-200 is the lower image. The SFX image preserves the fine high altitude clouds better…..
I have recently read an article on the Retro 80S, where the author only used the dark red filter. @EMULSIVEfilm also has another recent article comparing Retro 80S and Retro 400S, again both using the dark red filter. So now I’m going to embark on a set of side by side Retro and SFX images making, using only the dark red filter. Can’t wait to see what happens……
Washi-Z discussion coming in Part II.
You may ask what possessed me to buy a circa 100 year old camera and expect it to work! Especially one bought on Etsy, right? Well my next post will allow you to make that judgement for yourself. But for now, lets enjoy the ‘Grand Unboxing’:
A recent Petapixel article discusses a bit about the camera, but see the info for specs at the end. Now for our first view of the camera:
The 120 film model was produced from 1913-1927. I’m still investigating the exact age of mine, but it appears to be a 1913 model. Excellent!
Special Autographic Features. But be aware that you really can’t use this feature anymore. It required special film.
Read the Specs at Camerapedia:
This View no longer exists….Tree branches blew down to change it. Not sure that the Park Services will take those branches away. So we have captured a moment in time that is now gone…….
There are three locations at a nearby park where I test every ‘new’ camera and every ‘new’ film. So I took my first roll of Lomo 800 to all of those three spots.
It was hard to decide which to pick, bit I think the Reflection does work best. The Boat Dock below, was taken at an odd angle and looks best with some cropping:
Wide Angle Lens (Mamiya-7 43 mm) to capture all of the Tetons from Togwotee Pass:
On our Snowy Range Journey we saw this beautiful thunderhead to the east of us. Had to pull off and make the image. And since I had both of my Mamiya-7’s I have Portra 160 and SFX-200:
I finally grasped Film as a Journey at a 2016 B&W Photography Workshop in Condon, Montana with the Photographer’s Formulary Crew, and Nathan McCreery as the instructor. Corrected some lazy mistakes I was making, but learned new things too!. And I was finally convinced to use a spot meter! (Well, OK I still often use the camera meter).
Nathan will be the Artist in Residence , September 2020 at the Big Horn National Forest, Montana………..
Tech Info: Mamiya 6X7, Kodak T-Max 400, film developer Formulary’s FA-1027, exposure (spotmeter) f/22 for 2 seconds.
Check out Craig Sheaks on Film as a Journey that can transform you……And another perspective on the Film Photographic Journey.
My Favorite ‘Road’ in Rocky Mountain National Park. And a favorite spot for making photos:
The Fall River Road, RMNP
Check out a Holga Pinhole taken from the same spot.
I have posted two earlier episodes, but have never explained what ‘Retrospective’ is about. I have a Photo Diary Blog. It shows what I am out and about doing, camera in hand. There’s a lot posted over there that my followers here will probably never see. So I am pulling out a ‘Best Of’ from that blog and calling it my Retrospective.
Planning a Twitter Film Photographer’s Meet up in south central Wyoming later this summer.