Reading Jim Grey’s recent Blog on the subject of Bathroom Mirror Selfies made me think about the ones I have done, and the ones that I want to do soon. He also mentioned the importance of Photography as Therapy., as any Art form can be. It certainly has worked that way for me, carrying me through serious illnesses twice now.
I am posting this to Celebrate my Birthday! Something that wasn’t assured just a few month ago. And I am going forth with my Series “Facing 60”. Starting here and now I will post self Portraits from time to time at different ages and stages……
About 10 years ago I was starting a self-portrait project called “Facing 50”. I had read an article by someone who had documented their life through self portraits taken over 20+ years. But my Project ended up being derailed by Breast Cancer. You think I would have learned from that and NOT tried to do a “Facing 60”. Undaunted, I started on that Series anyway, and it was derailed by a brain tumor that IS NOT Cancer, but nevertheless a problem. Having anything growing in your Brain that doesn’t belong there is a problem.
As you can see below I started the original Project on Ash Wednesday in 2010. In this case I was experimenting with my 20 ft cable release and my M645. A little soft focused because I had to ‘guestimate’ the distance. I featured one of my favorite images……
So, I had taken a few photos of myself before the current events. My husband had taken quite a few photos of me to post on my “Through the Glass” blog posts. To Summarize “Facing 60” will contain a variety of “Self-Portraits” and evolve into a Project Page.
So this is where I started 9 years ago when my Cancer treatment had ended, I was on the road to recovery and starting a new career:
And now for some Mirror-Selfies: One full-frame showing all the lovely bathroominess and the rest cropped Rollei TLR 6X6 to remove as much of the Bathroom as possible. I’m going to do a reshoot in this mirror when I get home. Next time I will not have the shower curtain line going through my head!
As you read this we are on the road in search of that Perfect Pinhole Composition.
Here’s an Oldie But Goodie Favorite complete with a ‘Ghost Figure’:
Starting my New “Themes” Series. The only requirement: The shot must satisfy the expressed Theme. In this Case Archi-texture.
From the Riverside Cemetery, Denver, Colorado.
This post IS for Good Friday. But there is also a Story to be told. This was my second visit to the Riverside Cemetery in Denver. Dragging around my Mamiya 645 in its rolling case. The Riverside Cemetery is a place to go for History Addicts, as it is the oldest Denver Cemetery. It needs some love, but is now being managed by The Friends of Historic Riverside Cemetery.
But things aren’t as they seem, when I scanned the film from my second visit I reversed the negative. And on my first visit I had taken the Long View. The original perspective and correct orientation is below. What do You Think?
Notice the lovely Oil Refinery in the background, which is why on my second visit, I moved in closer to “crop in the camera”, and show the face of Mary. I also had better light on the second go around.
As student of Art History, and a practicing religious person, I was devastated by the Fire at Notre Dame. No, I’m not Catholic, but I revere ALL sacred places of ALL Religions.
I’m not at home, so I don’t have much that I can post at this moment. But I Love Gothic Architecture. When I had a chance to live in England, I visited all the famous Cathedrals that I could get to during my short stay. So I post a Quiet Tribute from Wells Cathedral. A gem that you should try to see if you are in western England
And what I am going to do this summer is scan all of my best English Cathedral images (Old ECN-II Transparencies) and Post Them!
Similar issues with PAN 100 as I had reported for PAN160. All images here have been significantly altered for brightness and contrast in Photoshop.
Arizona Skies have been generally more interesting than in Front Range Colorado. Back in colorado that dead blue sky that frequently shows itself is anathema to Photography.
I’ve completed half of my Proton Bean Treatments. Wooooo Hoooo! So I’m sharing one of my husband’s digital images of: Argentine Giant (Echinopsis candicans). Happily blooming in a median at the Mayo Clinic.
My Film Cacti Photos Coming Soon!
My Emulsive Secret Santa sent me one roll each of 35 mm and 120 size film. I know about the FP4 Party on Twitter, but had never participated and never shot any of this film before. This Month I did post my best FP4 35 mm images.
So I was shooting on a drive through the mountains north of Phoenix. We ended up at Roosevelt Lake (water very low as you can see) and the Salt River Dam and Bridge:
But my real interest was the Bridge. So I did a study of it. First, a panorama made from two images using Photomerge:
Remember when making a Panorama your images must overlap by ~30%, as you can see from the parts below:
And the most wide angle I could get from a single shot using my Minolta X-700 and Tamron 28-200 zoom lens with a nice reflection:
A slightly different view, with interesting vegetation:
As my Previous Post suggested, I’ll try the 120 FP4 film that I was given, but I’m probably going to stick with Delta100 or 400 when I want lower contrast than T-MAX 400.
I have my favorite films and I ask myself whether it is worth the time to learn about new films? My favorite B&W: Kodak T-MAX 400, Ilford SFX-200 and I when I want less contrast Ilford Delta 400; I also want to spend some more time with Ilford Delta 3200. My Favorite Color film for now is Kodak Portra 400; I am presently testing the new Kodak E100. So I have 3 main films (bold); one that I use under certain conditions (bold italic and posted image below); and two that I am experimenting with (plain text italic).
So I posted a Survey on Twitter and asked the followers of both of my Blogs to add their comments. The Twitter Survey ran for a week with the following Results:
Most of my blog followers are also on Twitter, so their votes are included above. I agree with the survey results: 48% of you say 3-4 films and 23% say 1-2 films. Total for less is more: 71%. So most of us agree that you cannot be an expert with dozens of films. My husband said that his answer was 5+ films. He really likes to find special films for special circumstance and does more experimentation than I do, which is a film multiplier. @donkittle on Twitter wrote to me supporting different films for different situations also. I typically shoot 3-4 different types of scenes/subjects. So following this approach may explain why I only need/use 3-4 film types. And I think that most photographers in that 71% are doing the same, typically shooting select films for their preferred subjects and no more.
I am open to experimentation on a limited basis, or using a certain film according to the conditions if I know that it will perform better (Delta 400) than my usual B&W (T-MAX 400). We should all consider new films from time to time. But film testing is time consuming, and I think that my days of trying new films are pretty much over once I’m done testing Kodak E100. If I like the new E-6 film, then it will largely replace Portra 400, since ISO 100 films are better for travel (i.e. they survive possible airport X-ray mishaps better; also some film travel tips here and more here). But since I already understand Portra 400, I can pull it off the shelf when I need it. And although I don’t like the color balance of Portra 160 for my landscapes in general, I can recommend it for Pinhole Cameras. So another case of a special film for a special case.
Now lets consider some Favorite Films of Famous Photographers. I’ve tried researching this on the WEB. Lot’s of discussion of gear (cameras, lenses, etc), but very little on Films used by the Famous. So isn’t Film part of your Gear? Isn’t that why we choose certain films for certain circumstances? Hey, if you become famous, please include preferred Film Types in your Gear…….. Here’s what I found after a few hours of searching for a some of my Favorites who considered the Film a part of their Gear:
I realize that it may be harder to find this information for deceased Photographers. But if you are still alive, please let us know what type of film you most recently used (even if you have switched to digital).
A Final Thought from the Weston Interview linked above:
“…..If you use a film long enough, you get to know its characteristics. I don’t use a meter, I just know the light…..”