I wanted to post something for TODAY:
And I also thought that FDR’s full quote was appropriate to Remember:
“So, first of all, let me assert my firm belief that the only thing we have to fear is…fear itself — nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance. In every dark hour of our national life a leadership of frankness and of vigor has met with that understanding and support of the people themselves which is essential to victory. And I am convinced that you will again give that support to leadership in these critical days.”
I made a big mistake when I exposed this Frame with my 1913 Kodak Autographic No.1 But it grew on me and I decided that I liked the resultant Abstraction.
It is Fuji Velvia 50 Film. So can you guess what I did wrong?
I was inspired by the Business Doors submitted a few weeks ago. But I also Loved the Domino’s sign about calling in you order, and having the pizza placed on you hood…..
This is the story of my second roll of film through the 1913 Kodak No.1. I roll I shot on Pinhole Day (although it was not a pinhole). I was still testing the camera so I carried it along…..You can see some results from my first roll of film here.
I mailed my second roll, Ilford Ortho Plus (ISO 80) on April 28th and waited…..and waited……and waited. By the end of May I was beginning to worry so I contacted them. Well, you can read the correspondence at the end, I want to move on to the photos. But it suffices to say that it took them 3+ months to find my film and they returned it with no acknowledgment of the problems and no apologies. So They’ve lost my business, permanently. Oh, I’ll use their film, but I won’t send it to them for processing.
Anyway, let’s move on……….Ans start with my Favorite Crucifix:
This was the original Cemetery for Denver. And it was segregated by religion and race. This was the Orthodox Section:
Another favorite Monument above……
I forget what the tree trunk symbolizes, but it is a XXXXXX
A view of the larger Cemetery Area………….above. There is another shot taken at another location. So I will show that separately in a couple of days…….
Now for the horror of my former Film Lab. Click on the image to enlarge and read:
Use Ilford Labs US at your own risk. What I really resent is the lack of an Apology or any acknowledgment of a problem when they finally did find my film.
I’ll stick with OldSchoolLabs. They do 90% of my work (we develop the other 10% ourselves) ……..I can certainly endorse them.
Finally Getting to Post this. And Yes, I am counting it as a #WednesdayWindows Also!
Pat and Gar’s Hi-Way Bar
Now for some Lafayette, Colorado History: The Old Coke Sign from ‘Pat & Gar’s Hi-Way Bar’ was originally painted in late 1949 or early 1950. Underneath are several layers of signs and banners going back to the late 1930’s. Renovations in 1956 covered the mural with asbestos siding, which ended up preserving it.
In 2015 the Mural was uncovered by special asbestos remediation before the building was to be demolished. The rediscovered Mural, and the entire wall were removed and stored at the Lafayette Firehouse. Professional restoration experts were brought in to stabilize the mural in 2016. It was placed in the current location, at Simpson and Public Road in Downtown Lafayette, Colorado.
JULY 28, 2020, @EMULSIVEfilm, MY 2020 LOCKDOWN JOURNEY: A COMPARATIVE TEST OF KODAK EKTACHROME E100 AND FUJIFILM VELVIA 50 (BONUS PORTRA/LOMOGRAPHY INCLUDED) – By Kathleen E Johnson
A summary of all the Flowers from my Garden…and my Final Interpretation in case you missed it…………And Check out all of my Publications Here.
Yesterday you were introduced to the Camera. Today you meet the best 5-Frames from the very first roll of Reva 127 B&W film (ISO 100). I was amazed at the results considering that I knew very little about the Camera, and this is my first roll.
First a re-intro to the Camera above. Details about the camera can be found on the Art Deco Camera Site. Now let’s look at my camera test location: Lake Waneka. We’ll start with a new view, looking west from the Boat House:
Below, my usual view looking east towards the Boat House:
Below, the beginnings of our COVID-19 Rock Monument. There are more rocks now…….
My Classic Boat Dock View. Today featuring a fisherman……
And my Classic Tree Reflection that you’ve seen in other Camera Tests:
And certainly consistent with My Inner Monet Theme.
I never did figure out exactly how this Door was used. Found it in an alley during a night time Denver Workshop……
Any ideas how this door was used?
Continuing with the Showdown that I started a few days ago. I’ve been using E100 over a year. I’m midway in a film showdown between Kodak E100 vs Fuji Velvia 50. I had always preferred Kodak in the past, however, after some 35 mm experiences last year I had doubts. I had always used E100GX, a warm toned film of the old generation. The new film was based on a colder version E100G. But to be fair, I decided to do some formal color test comparison. This is Part, I am comparing four images of the Owl Mural made with four different films: E100, Velvia 50, Portra 400 and Lomo 800. For the direct comparison of the E-6 films I used my Mamiya-7’s; the Portra was exposed using a Mamiya-6; and the Lomo 800 was exposed using a Diana F+, for the Frugal Film Project.
First I’ll show them in pairs, then break down my critique of each one. Naturally I have selected my personal favorite for the Header image above.
Left: Lomo 800; Right: Portra 400. I made no adjustments for tone or contrast; only cropping to make them comparable in size. All of the image were exposed on overcast days. The first comment I can make is that both C-41 films are truer to the actual mural colors. The Portra 400 has a richer color tone which I would expect for the lower ISO film. But you have to admit that the Lomo 800 is very good, especially since it was exposed using a plastic camera. The winner here is Kodak Portra 400:
Now for the main event, E100 (left) vs Velvia 50 (right):
As one would expect, the E-6 films have a more saturated color. Not quite a natural representation. But in my lifetime experience with film (going back to childhood) I’ve mostly shot E-6. As a field scientist back in the pre-PowerPoint days, I needed to show my information in slide presentations. So that meant E-6 films. In my earlier professional days I used ECN films. When that was discontinued I switched to Kodak E100GX.
If you read my earlier experiences with E100, you’ll be able to decide which one I prefer. I simply find the E100 too cold. So the Winner here is, Fuji Velvia 50. I enjoy the richer and brighter blues and purples……
So these are my two favorites. I can accept either one depending on what I am trying to demonstrate. Which one do you prefer?
Stay tuned, right now I am continuing the side-by-side testing of these films as my Mamiya 645’s take a tour of my flower and vegetable gardens. I’m going to give E100 every possible chance to show me something that I’ll like.
And I may do a follow-up Road-Trip landscape comparison. In that case, I’ll see if a warming filter makes me feel better about the new Kodak E100.