Tag Archives: Carhenge

Film Expertise?

I have posted this on Twitter.  But I wanted to give my followers here a chance at answering this question too.  In the future I will write an ‘article’ here on my feelings and the results of my survey.  Here it is:

How many films is it really possible to be an expert at using?

While here in Arizona, I’ve been testing various films that I hadn’t used before (e.g. Silberra, Ilford FP4, the new Kodak E100),  In most cases for B&W I use Kodak T-MAX 400 and Ilford SFX-200; for color I’ve settled on Kodak Portra 400 (pending my results for E100).  I know these films well, and I usually get the expected results.  When I experiment with new films, the results are up in the air.  Yes with my ‘expert’ films I made early mistakes but worked through it. Now I wonder if it is worth the the time to learn about MORE films or stick with what works?  So let me restate the question:

What films do you use and how many do you feel it is possible to be an expert with?  Please leave a comment or vote on Twitter @AnalogPhotoBug, and look for the future article.

Kodak T-MAX 400:

KEJohnson_Convent
The Symbol of My Journey

Kodak Portra 400:

Carhenge2

Ilford SFX-200:

CragsView2

Alternate 5-Frames: Carhenge

5 Frames of Kodak Portra 400, Exposed @ ISO 320 (6X7 120 Format) by Kathleen E. Johnson

On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar Eclipse viewing locations in North America. NO you are not going to see eclipse images, but a bit of Americana I had heard of (probably on 60 Minutes as a child), but never thought that I would visit: CARHENGE. We thought about stopping by on Eclipse Day, but the traffic proved unmanageable.

The following November, we had an opportunity to return to Alliance and made our visitation. It was a lovely, sunny, November day.  And walking amongst the Cars, it proved much more photogenic than I had expected.

It seems like ages ago, but in 1990 I had an opportunity to visit the real Stonehenge. Those photos were terrible, so you’ll never get to see them here. But I can say the advantage of Carhenge is that it’s a true life-size model that you can walk around and experience as the Ancient Ones may have done at the real Stonehenge. And it has become a focus for sculpture built from car parts. But that’s another story…….

The camera was my favorite Mamiya 7 with the 43 mm lens. All exposures @f/8, and shutter speeds of 1/125 to 1/250 to capture details in the shadows. In my experience Portra Films have a wide exposure latitude. At ISO 320 color saturation is more true to life than Portra 160. I’ve settled on Portra 400 as my color film.

P.S Okay you can see my Eclipse Images on film HERE.

Surprisingly Photogenic

Last Fall we stopped at Carhenge.  It was a lovely, sunny, November day.  And walking amongst the Cars, it proved much more photogenic than I had expected.

See all the photos from my trip to Carhenge Here.

See Updated Post for Alternate 5-Frames Here.