The Door for this Week:
Doors from the Saguaro National Park:
And A Close-up:
I remember first seeing these Mountains 30 years ago. On a recent trip through New Mexico we decided to stop by Las Cruces to see the Organ Mountains:
I’ll have more views of the Mountains coming soon. For more information on the Ogan Mountains CLICK HERE.
I thought about writing a summary of the origin and significance of the Retro IR Sensitive films as an aerial mapping film. But then I found an excellent history/summary by My Favorite Lens reviewing the Retro 400S. So check it out…………
Now we take up Part II of our IR Sensitive Film Tests. Here a comparison of Rollei Retro 400S and Ilford SFX-200 (My Standard). We again applied the IR 695 filter to both rolls. We know from our previous experience that this filter adds contrast to the Retro-films. So let’s jump in………
Images on the left are from SFX-200 and on the right from Retro 400S:
We ca see the obvious difference in Contrast. But it this first image it works.
Above, the contrast in the clouds for the Retro 400S makes it more interesting to me.
In the four images below,the lighter contrast (SFX-200) allows iu to see more detail.
Agai, here I think you choice my depend on personal aesthetics. There are qualities I like in both images.
S, we have determined in both cases that perhaps the Retro Films don;t really need IR-filter enhancement. So for our next test we are going bare. I’ll be comparing the Retro 80S with no filter to the SFX-200 with the IR 695.
Why not start the Year 2021 with some film tests………..
I had casually tried some Retro 80S on the drive home from Phoenix in 2019. But I wasn’t really planning on a comparative study and my image were not in pairs. So I decide to set-up a real study comparing Retro 80S AND Retro 400.S This is Part I where I will discuss Retro 80S.
The tests were conducted using 120 film and my Mamiya-7 cameras both with IR 695 filters. Ilford SFX-200 was my standard for comparison.
All of the SFX-200 imafes are on the left, and the Retro80S on the right.
In my first images from 2019, I had used a Dark Red filter for the Retro 80S. applying the IR 695 to the Retro 80S made it more contrasty than preferred. So I thin for an future use I would recommend using just a Dark Red Filter, instead of the IR 695 for the Retro 80S film.
Next up to start the year: Retro 400s……
We will spend some significant time at the beginning of 2021 exploring the Infrared: IR Sensitive Films, IR Films and some digital IR from a converted camera.
And so the Light, from Ilford SFX-200
And the Dark from Rollei Retro 400S
From My Living Room Window…….
The Peak to Peak Highway, a quiet moment at Dahl Lake………
Washi-Z 400, above with a dark red filter. I start with that statement because for some reason I didn’t shoot the first few images with dark red. Instead I had used an orange filter for some reason:
Washi-Films were never intended for use in still cameras. They were specialty films and most were developed for recording some type of motion, including a sound version.But nowadays these specialty films are creeping into the revitalized 35 mm film market.
And finally, two images from the Tonto Natural Bridge in Arizona. Representing some of the early orange filter exposures.
So now what? I’ve ordered more Washi-Z 400, and because the IR effect did not seem that strong, even with the red filter. I’m going to try it with the IR-695 filter. Watch for new results coming soon……
On our Snowy Range Journey we saw this beautiful thunderhead to the east of us. Had to pull off and make the image. And since I had both of my Mamiya-7’s I have Portra 160 and SFX-200:
Definitely better with SFX-200 shooting into the sun,than with Lomo Purple (below):