Wrapping Up Holga Week at Rocky Mountain National Park, Colorado
Wrapping Up Holga Week at Rocky Mountain National Park, Colorado
Cache La Poudre, Colorado
A quote from Linda Ronstadt:
“You do it for the work. If you are doing it for the prizes, you are in big trouble”
and a Quote from Cole Thompson:
“In the past I’ve considered those accolades as the evidence of my success, but I now think differently. My success is no longer measured by the length of my resume, but rather by how I feel about the art that I create. While I do enjoy exhibiting, seeing my work published and meeting people who appreciate my art, this is an extra benefit of creating, but not success itself.”
I’ve been through this thought process before. But this time a different twist. Now showing will be going dark for a while. I haven’t deleted it. Just hidden. As I mentioned before, I always get the sam level of award. They know I’m good enough to deserve some attention, but my personal style and personal vision are obviously NOT in vogue right now. So do I stick with what I enjoy or literally ‘shoot for the hip and trendy’?
My husband recently found an interesting blog post on this very subject by Ellen Borggreve. From “Photography is not a Competition”:
“Even though there are photographic competitions, photography itself and art in general is not a competition. In the creative process there is no finish line, no competitors, no comparison. All creative endeavours are in their essence subjective, personal and incomparable. Yet the modern digital reality has created this sense of urgency and competition which I feel is hugely detrimental to art.”
Honestly I wouldn’t know how to shoot for the ‘hip and trendy’ because I do photography to make myself happy. As Comfort and a personal creative outlet. I find online activities like the recent #camerachallenge add some spice and allow me to interact with more like-minded photographers. I will be keeping my Publications Page, because that actually does matter.
If I enter a contest I will still post the results here. But no more “Now Showing” because I don’t want THAT to be my focus……..And what people on Twitter, Instagram, Blogspot or WordPress find interesting, may not be what’s interesting TO ME.
Sacred Datura from my Garden; Kodak T-MAX 400; cropped from a Mamiya 645 frame with 80 mm Macro Lens.
Last week featured the disastrous Lomo Purple pinhole results. This week a better result with B&W film, a Fisheye lens and the Mamiya 1000S 645 shooting Sunny 16.
Famous Architect I.M. Pei (1917-2019) designed the Mesa Lab for the National Center for Atmospheric Science in 1961. It was his first totally ‘hands on’ project in a number of years and he found inspiration in the natural rock formations, The Flatirons.
My favorite photographic location at the Mesa is the Courtyard:
You have to love that Star Sun, totally unexpected! You just have to accept the lens flares. They don’t bother me.
I had toyed with the idea of buying a Mamiya 645 fisheye. But when I thought about it the price was prohibitive (>$1200) for a lens I would rarely use. So when I came across a discussion online about the Arsat Zodiak-8 f/3.5 30mm fisheye for and average price less than $200, I started searching for one. Glad I bought this last Winter, because it seems to have been discovered and the prices have doubled. The Luminous Landscape has a nice write-up on the lens, so I won’t try to duplicate that here.
The set-up: using my lovely refurbished Mamiya 1000S with the waste level view finder and shooting Sunny 16 with Ilford Delta 400 film. Check out more Fisheye Fun here.
It occurred to me that I do owe my followers an update after my recent exam at the Mayo Clinic. Results: EXCELLENT! No more brain tumor! I go back in 6 months and after that once a year……
I’ve realized that I had several Fisheye lens/camera set ups. My First was a Zenitar Fisheye for my 35 mm Minolta Family:
Minolta Zenitar Redwoods:
Next I acquired a Lomo Fisheye:
Then a Fisheye attachment for the Holga. My First Emulsive Secret Santa Gift:
Next A Fisheye Lens for My Diana:
Wow this is out of control right? So I thought about “Rewarding” myself with a Mamiya 645 fish eye lens after recovering from a recent illness. The price though, was daunting (~$1200) and I thought about how little I actually use any of my other Fisheye Lenses. Then I became aware of the Arsat Zodiak-8 Fisheye, and picked one up for $120. In fact I bought two cameras and two lenses for the cost of the most expensive M645 Fisheye listing ($1800).
So, now for the first results from the Arsat with comparisons to my 35 mm Fisheye:
Chapel on the Rock: 645 Arsat Fisheye, Peak to Peak Highway
Above: I call this one the “Tree on the Rock” also Peak to Peak Highway.
Now from some side by side comparisons to my 35 mm Zenitar Fisheye )left B&W is 645; right color is 35 mm): These were taken from the same tripod position.
If you are old enough to remember, the 1970’s were a Fisheye crazed time. Even the original Hawaii 5-0 had a fisheye view of a landing plane in its Intro. But, I haven’t answered my question yet: Why Fisheye? Well, just for the fun of it!
Post Script: I haven’t forgotten 9/11, I’m just not going to support the politicization of it. I will Always Honor those who died.
OK, I’m a believer. Photographers were always raving about Ilford HP5. But I didn’t share the fascination until this past Spring. On my Journey to Phoenix I wanted to take 35 mm B&W film. The only thing I had in the fridge was Ilford HP5. So I grabbed the 5 rolls and headed out………
And I’ve finally discovered the situations where the ‘GRAIN” works for me. Here is a summary of my HP5 Best Case (all HP5 except where noted):
(Note: the datura, upper right is T-MAX)
(Note: Yuca Baccata, upper left, is digital IR)
September on my Other Blog is all about B&W in the Garden.
A while ago Chris Gampat had a very insightful article on the Phoblographer regarding the “5 of Our Favorite Film Rangefinder Cameras (One for Everyone)” Guess what? I bought one…….This was my first test roll through the Fuji GW690 III. Boxed like new and delivered from Japan in a timely manner.
Now for my Very Dramatic second roll through this camera…….Roosevelt Dam:
Apache Lake, Canyon Lake and the Superstition Mountains…….
The lens for the GW690III is known for it’s high contrast. I’d never thought about lenses affecting the contrast. But see the difference between my Mamiya 7 and this camera at the Superstition Mountains:
Lily Lake at Rocky Mountain national Park. Read details of Color vs Sun Light here.
After Viewing This Image, I knew what I wanted to say here….Inspired by John Sexton’s rich silver prints:
I can’t wait to print this image. Taken with my new/old Fuji GW690II, this was only the second roll through the camera. The subject, the Roosevelt Dam at Salt Creek, AZ. Oooooh that Black Water!
Yes my Image is grainy and high contrast, but I’m not trying to copy the Sexton Style, I am instead drawing a link in Personal Vision of what represents Beauty. Inspired by His Book, “Places of Power” and an appreciation of Industrial Beauty: