Tag Archives: Minolta

Inspired By: Kim Weston

Let’s start with a Weston Interview Quote:

“…..If you use a film long enough, you get to know its characteristics. I don’t use a meter, I just know the light…..”

I love the quote because I rarely use my spot meter…….

Now, what inspires me?  If you check out his website….he exclusively does nude photography.  Although tastefully done, it’s not my thing (although there is one image I do love: Nude in Cactus).  And this is as far as I go into Nudes:

Johnson_KE_Illuminate_4

What Inspires Me? First I am inspired by His warm and welcoming attitude towards film students and film enthusiasts in the Monterey Bay Region.    I met Kim Weston when he welcomed our Monterey Peninsula College Class to Wildcat Hill.  At that time he was making predominantly platinum prints and we were an Alternative Processes class.  So he demonstrated the printing method for us.  He also discussed his artistic philosophy, and let us see his famous grandfather, Edward Weston’s, simple but beautiful darkroom. Imagine yourself making fabulous 8X10 contact prints like pepper #39 using an incandescent light bulb.

Kim Weston invited us to drop by, and if he wasn’t busy, we could talk about photography.  One of my friends spoke up.  Luther was having trouble learning to use his 4X5 view camera.  Kim just said, drop by with the camera sometime.  Luther did, and Kim Weston spent the afternoon showing him how to get the most from his 4X5. His support of film photographers, especially students, inspires me.

But Kim Weston eventually took it a step further, starting the Weston Collective, a scholarship program for students in Monterey County that are studying fine art film photography.  And the Collective has taken a step forward in support of fine art photography by opening a darkroom and teaching studio.  Raising the funds and managing the space for the benefit of ‘developing’ film photographers is inspiring.

 

 

 

My Kodak E100 Experience: Hot or Cold?

I waited with baited breath, as they say, for results from early E100 Film Testing.  Always reliable, I delved into the EMULSIVE Review, which compared various exposures, by processing at EI 100, 200, 400 800.  At first glance I like the EI200 images, so I started by comparing EI 100 vs EI 200.  The Cameras, my nearly identical Minolta X-700 with Tamron 28-200 zoom lens, which I’ve used for a number of side by side film tests:

 

Two_X-700

I took a second look at the EMULSIVE results after reviewing my own tests, and can’t believe that I didn’t see the EI 200 images were colder.  Also, the example scenes were not typical subjects that I would have photographed (the exception being flowers).  I had fears about the new E100 because I new that it was based on E100G, which I had always found to be too cold.  I always used a warming filter with the old E100G.  The long gone warm tone balanced E100GX had been my favorite.

So my results, E100 @ EI 125 (following Galen Rowell’s recommendation) on the top and EI 200 on the bottom.  All of the photos are the original raw scans with no adjustments of brightness, contrast or levels and no warming filter:

E100_125_MeteredE100_200_Pushed

The Cathedral Rocks in Arizona,  I tried to get the same perspective, but there is a slight difference. Below viewed from a distance:

E100_125_Metered2E100_200_Pushed2

And zoomed in:

E100_125_Metered3E100_200_Pushed3

Note the color of the Red Rocks and the Soil.  Since I frequently shoot Red Rocks, I’d like them to have the truer Red of the EI 125 images.  Below I’m showing the EI 125 exposed a +1 stop.  It probably offers a truer color rendition:

E100_125_TrueColor

It’s probably time for me to test E100 with a warming Filter vs. Portra 400.  I’ve found Portra 400 to be an acceptable color film for my current use.  I’ve also been spoiled by the wide latitude of exposures that a C-41 film allows.  Since I mostly shoot B&W now, I’m not sure that E100 has enough zip to bring me back to E-6.  But I’ll wait on a final E100 choice after the 120 is available.  I’ll test that vs Portra 400.

A Quiet Tribute

As  student of Art History, and a practicing religious person, I was devastated by the Fire at Notre Dame.  No, I’m not Catholic, but I revere ALL sacred places of ALL Religions.

I’m not at home, so I don’t have much that I can post at this moment.  But I Love Gothic Architecture.  When I had a chance to live in England, I visited all the famous Cathedrals that I could get to during my short stay.  So I post a Quiet Tribute from Wells Cathedral.  A gem that you should try to see if you are in western England

Wells_NotreDame_Tribute

And what I am going to do this summer is scan all of my best English Cathedral images (Old ECN-II Transparencies) and Post Them!

Favorites from Silberra PAN 100

Similar issues with PAN 100 as I had reported for PAN160.  All images here have been significantly altered for brightness and contrast in Photoshop.ArizonaSky1

Arizona Skies have been generally more interesting than in Front Range Colorado.  Back in colorado that dead blue sky that frequently shows itself is anathema to Photography.

Superstition3

 

 

Ditto on no more Film Testing………

My Personal Ilford FP4 Party at the Salt River Bridge

My Emulsive Secret Santa sent me one roll each of 35 mm and 120 size film.  I know about the FP4 Party on Twitter, but had never participated and never shot any of this film before.  This Month I did post my best FP4 35 mm images.

So I was shooting on a drive through the mountains north of Phoenix.  We ended up at Roosevelt Lake (water very low as you can see) and the Salt River Dam and Bridge:

SaltRiverDam

But my real interest was the Bridge.  So I did a study of it.  First, a panorama made from two images using Photomerge:

SaltRiver_Bridge_Panorama

Remember when making a Panorama your images must overlap by ~30%, as you can see from the parts below:

 

 

And the most wide angle I could get from a single shot using my Minolta X-700 and Tamron 28-200 zoom lens with a nice reflection:

SaltRiver_Bridge2

A slightly different view, with interesting vegetation:

SaltRiver_Bridge1

Read my FP4 Review here.

As my Previous Post suggested, I’ll try the 120 FP4 film that I was given, but I’m probably going to stick with Delta100 or 400 when I want lower contrast than T-MAX 400.

Inspired By: Galen Rowell

Galen Rowell (1940-2002) was my inspiration for pushing the limits of my outdoor 35 mm photography.  Our Patagonia Trekking Photos followed his suggested techniques for E-6 film (Shoot ISO 100 at ISO 125); how to pack your equipment for safe travel; traveling with film, etc.

January_2007

His death along with his photographer wife Barbara Rowell in a plane crash impacted me greatly.  And learning that their Families had closed the Mountain Light Gallery in 2017 was a sad reality.

OLYMPUS DIGITAL CAMERA

 

Trekking the “W” in the Paine Massif was a dream of my husband’s, but none of his friend from his mountaineering and climbing days wee interested.  So 8 years into our marriage we went to Patagonia and Trekked the “W”.  The trip also inspired our first Annual Calendar in 2006.

Now that Kodak E100 is back, I can highly recommend:

Both of which were my early guides to improving my E-6 outdoor photography, and also
  • Galen Rowell: A Retrospective

And many other books all available online at that ‘place’ that I refuse to give free advertising to….Looking at his work will show you the full capabilities of 35 mm photography.  Below, our 2006 Calendar (in case you haven’t checked out the “Deep Archive”).

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Silberra PAN 160

As part of my Arizona Project, I am testing some films.  Some completely new, like Silberra PAN 160 and PAN 100;  and films new to me like Ilford FP4.

 

 

Silberra is a new Russian film that has been in development for 10+ years.  I backed it in Indiegogo.  Today I’m posting results from my journey around the Phoenix area: Below, Four Peaks……..

4Peaks_Enhanced

I’ve discussed on my Photo Diary, some problems that I’ve experienced with Silberra Film (and similarly with Ferrania P30).  My main problem was controlling the contrast and exposure.  All of the images here have been adjusted significantly in PhotoShop.  I am largely a T-MAX 400 + Ilford user (especially SFX-200).

 

So I am posing the question here (also on Twitter as a survey):  How many types of film is it possible to be an expert user?  I like supporting new films, but I’m really into getting my best results that can also be printed in the darkroom without a tremendous effort in manipulation.

Print your comments here and I will include them in a future article:

 

 

Final Camera Kit

I love all of the cameras described here.  But it was totally unrealistic to think that I could use them all, even in three months time.  So these are the ones that made the journey………

 

 

The Mamiya 7 with 45, 50, 80 and 150 mm lenses.  The Minolta X-700 with 28-200 Tamron Adaptall lens and 50 mm macro lens.  I’ll mostly be using the 35 mm to test my Kodak E100 film.