So here we go. I’ve decided to re-publish my Emulsive Articles here, after this particular submission disappeared into the ether of the internet. I explained my position and recommendations on the subject here. All re-publishings will be marked as “Alternate”.
So here is Alternate 5-Frames HearseCon 2018:
5 Frames of Lomo 400, Exposed @ ISO 400 (645 120 Format) by Kathleen Johnson
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi. This is my medium format street photography choice because of the auto focus and zoom capabilities. Read the Camera Review on EMULSIVE here. I’m not so negative about that camera as the reviewer. I wanted a ’point and shoot’ medium format camera and that’s what it is.
Now for the Festival: HearseCon 2018. Yes it is what it sounds like, an annual convention held here in the Denver area for Hearse Enthusiasts. They come from all across the Western US and Canada, some with beautifully restored Hearses, as you will see here today. Think of HearseCon as a Goth Cultural Experience for Grown-Ups and you’ve got the Picture. There are Hearse Show events across the country if you ever want to experience one, but I think this is one of the largest.
In the past I’ve used B&W film for HearseCon, because I thought it would capture the grittiness of the event. Last year I tried Lomo Lady Grey 400, but I wasn’t satisfied with the results using this particular film, and I’ve found the GA645Zi shines best with color film. So I pulled out the Lomo 400 Color, because I didn’t quite want the sharpness of Portra 400. In other words, Lomo 400 has a bit more grain and that suits the subject matter. Sometimes hard to know what the focus point will be with the GS645Zi, but the subject turned out very sharp anyway……..
About the Car: My bad, I took a cell phone picture of the information sign, but didn’t write anything down (and didn’t check the image before leaving). The joke was on me because I couldn’t read the sign later. But thanks to the Internet I was able to narrow down the Model and Year. Above is likely a Vintage 1937 Buick model, Sayers and Scoville Byzantine Hearse with a straight-8 engine. The Owners were from Utah. Sayers and Scoville is still building custom hearses.
You’ll find more HearseCon Images Past & Present Here.
I’m going to be posting more in depth commentaries on specific issues that affect my Perspective on Life, and therefore my pursuit of the Arts.
Annoyingly, I want to post these as Pages…so they aren’t hard to find. But WordPress does not post updates for page changes. Boooooooo!
So I’ll have to post separate notifications. These post will always be identified by the Eclipse as the featured photo:
My First Intersection was prompted by the dismissive attitudes of Tennis Pundits that I reached out to on Twitter, following the U.S. Open Women’s Final. To see how I make this Intersection, Read On! (Warning, might not be much fun, but it’s greatly watered down from my original essay).
So here we go. I’ve decided to re-publish my Emulsive Articles here, after my submission that will post for Halloween disappeared into the ether of the internet. I explained my position and recommendations on the subject here. All re-publishings will be marked as “Alternate”.
5 Frames of T-Max 400, Exposed @ ISO 200 (6X7 120 Format) by Kathleen Johnson
Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch Homestead, a part of the Boulder County Parks and Open Spaces. Located in the Front Range Foothills above Boulder, Colorado, it is a popular hiking area, but the Homestead site is only open to the public a few times per year.
I took my favorite Mamiya 7 with the Mamiya f/4.5 43 mm lens. Some of these images have been cropped. I exposed the film @ ISO 200 with additional compensation for my yellow filter.
An overcast and windy day, so the outdoors photos were so-so. But I fell in love with the Homestead Attic living space. So I present the exterior and we move upstairs.
The view through the window was exposed @ f/8 1/60s; Cradle exposed @ f/4.5 4s; Nightstand exposed @ f/4.5 2s; Bed and Chairs with window exposed @ f/8 1s. Of course, all using a tripod and cable release. One neat feature of the Mamiya 7 is that you have a maximum timed exposure up to 4 seconds before you have to use the Bulb setting and time it yourself.
A few more….iconic Structures from Heart Mountain:
Above: The Incinerator (original structure); Below: a reconstructed guard tower.
In a world gone Crazy it felt good to post this week on my photo diary on a subject of social injustice…….
Here just a few of my Best/Favorites: