Tag Archives: My Inner Monet

Looking Through Someone Else’s Glass………

A friend recently sent me a link to a professional photographer, Jay Zukerkorn, who is dealing with the changes in his photography resulting from Parkinson’s Disease. He has tremors to deal with, but decided to work with them instead of against them.

Here are two quotes from the article that are especially pertinent to me:

“Has Parkinson’s disease changed your perspective on your art?

Absolutely. In my former career, my photos were hyper-sharp and perfectly retouched. Now I embrace these blurred imperfections.

In what other ways do your photographs speak for you?

My photos represent a new way of walking through life. I’ve had a life-altering diagnosis, which has been humbling, but it hasn’t stopped me from moving forward.”

So I no longer reject the ‘out of focus’.  Especially since I am experimenting with all if these pre-1940 cameras.  In this case My Kodak 1913 Autographic:

Then I found some problems with my right eye; a vitreous detachment. Luckily it won’t cause blindness and will probably even show some improvement. But oddly now each eye has its own specialist…….

So now I am moving in a different way (figuratively and literally) and seeing and experience the world differently. So check out some of My Inner Monet as well…….

Abstraction

I made a big mistake when I exposed this Frame with my 1913 Kodak Autographic No.1 But it grew on me and I decided that I liked the resultant Abstraction.

It is Fuji Velvia 50 Film. So can you guess what I did wrong?

Lake Waneka and my 1913 Kodak Autographic No. 1 Camera…….

Riverside_Waneka_Pond

This was such a different subject than the other images on roll #2 that I wanted to post it separately.  Calm. Peace, Stillness………Taking a few days off for long awaited eye surgery.  Update at the end of the week…….

New On @EMULSIVEfilm: My 2020 Lockdown Journey………

JULY 28, 2020, @EMULSIVEfilm, MY 2020 LOCKDOWN JOURNEY: A COMPARATIVE TEST OF KODAK EKTACHROME E100 AND FUJIFILM VELVIA 50 (BONUS PORTRA/LOMOGRAPHY INCLUDED) – By Kathleen E Johnson

Velvia50_Poppy
Velvia 50

A summary of all the Flowers from my Garden…and my Final Interpretation in case you missed it…………And Check out all of my Publications Here.

Publications Update July 2020

I realize that most of you NEVER click on my Publications or any of the other items listed on the left side of my Blog.  So every 6 months or so, I’m going to give you a Summary List of Publications:

 

Enjoy My Publication Bouquet of July Lilies from My Garden:

Publication_Bouquet

Photos from the Kodak Art Deco Jiffy 127 Camera

Yesterday you were introduced to the Camera.  Today you meet the best 5-Frames from the very first roll of Reva 127 B&W film (ISO 100).  I was amazed at the results considering that I knew very little about the Camera, and this is my first roll.

ArtDeco6

First a re-intro to the Camera above.  Details about the camera can be found on the Art Deco Camera Site.  Now let’s look at my camera test location: Lake Waneka.  We’ll start with a new view, looking west from the Boat House:

ArtDeco_Waneka1

Below, my usual view looking east towards the Boat House:

ArtDeco_Waneka2

Below, the beginnings of our COVID-19 Rock Monument.  There are more rocks now…….

ArtDeco_Waneka4

My Classic Boat Dock View.  Today featuring a fisherman……

ArtDeco_Waneka3

And my Classic Tree Reflection that you’ve seen in other Camera Tests:

ArtDeco_Waneka5

And certainly consistent with My Inner Monet Theme.

Last Word from the Garden: Velvia 50 vs. E100

As we have seen, there’s not a great difference in the color rendition for the Flowers from my Garden. Here are the final flower examples from the last roll from my Garden.  I didn’t get to work much with the Poppies or Peonies because they were wiped out by a storm.

For all images the E100 is on the left and Velvia 50 is on the right.  In the case of the Peonies above, the E100 is actually more saturated.  And I believe that same could be said of the Iris below.  Go figure……

 

Again, no real difference in the Torch Lilies below (genus Kniphofia).

 

And for the Turkish Poppies…….one can say that the E100 has a richer color.

 

So my Garden didn’t really tell me anything.  I know from earlier Landscape work that the E100 seemed Cold. And Flowers from the Mayo Clinic Cactus Garden were off color also for E100. My last roll of film comparison will be landscapes from the Snowy Range of Wyoming.  I will be using a warming filter, so we’ll see what difference that makes.  And a surprising choice for my color film going forward……

 

 

What the Irises Tell Us About Velvia 50 and E100 Films

The Irises display more of a difference, being both richer is color and truer to the colors I saw. You’ll have to trust me on that.  I had intended to make Portra 400 images for all the garden shots, but that camera malfunctioned.  However, I do have some Portra 400 35 mm images.  One posted ant the end for comparison.  As before, you’ll have to make your choice based on which color balance you prefer.

We will start with Yellow Irises, since we did see a difference in the Yellow Tulips:

 

As before, the E100 is on the left and the Velvia 50 is on the right.  You can see the richer saturation in the Velvia 50.  Something that we are expecting.

 

Varying the contrast and brightness had no affect on the absolute color, which is what we are interested in here.

Now we move on to Purple, which was a color that Velvia 50 favored in previous examples:

 

As before, E100 on the left and Velvia 50 on the right…….

 

For me, the Velvia yields a more attractive color and is closer to what I saw.  Now let me tell you a little secret.  Once in a Physics experiment in college, it showed that I tend to see a little bit into the UV spectrum.  That is probably why the richer purples appeal more to me.

However, if you want truer color I think we have to get out the Portra 400 (below).  Again, I think it is an aesthetic choice…….

 

Portra_Purple_Iris