Category Archives: Street Photography

Kodak E100 vs. Fuji Velvia 50: The Showdown Begins

I have to admit that I was disappointed with early my 35 mm E100 results.  I felt that the film was cold and realized that it was based on the old E100G, a film I only used with a warming filter.  My favorite of the old Kodak E-6 films was E100GX, the warm toned film.  I used it extensively in Patagonia and mourned its loss.  You can also check out our first Patagonia Calendar.

But I digress.  Let’s get back to the purpose of this study: Kodak E100 versus Fuji Velvia 50.  After my E100 doubts I happened upon this old Velvia 50 image of Boreas Pass and thought about a comparative test:

BoreasChasingFall

So I set up my two Mamiya 6X7’s for the test.  There was one difference:  The Velvia 50 camera had a 43 mm lens and the E100 camera had a 50 mm lens.  We can debate if that makes a difference, but for Showdown Part II, I’ll be using matching camera set ups.  So hold your argument for later.

Here are the side-by-sides: Think about which is which and I’ll tell you at the end.Peacocks_E100Peacocks_Velvia50

Owl_E100Owl_Velvia50

Details regarding what I learned from this Owl are discussed in my next posting…………

Coke_E100Coke_Velvia50

In all cases the top image is Kodak E100 and the bottom image is Fuji Velvia 50.  There were no adjustments made to color balance.  You may note that the Velvia 50 images are more color saturated and have some purple or pink in the sky.  The E100 is less saturated and has a colder sky. Now it’s up to you.  Which do you prefer?  Keep in mind that this is an overcast sky.  So I’ll add one more pair.  I wanted to capture my purple house, but in the morning the house was too dark.  But you can see that with a clear sky the Velvia 50 (bottom image) has the saturated blue sky:

Sky_E100Sky_Velvia50

The snow is still holding that purple cast in the Velvia 50 image.  E100 has a truer presentation of the snow.  Comments, perspectives appreciated.

Next, we’ll take a look at my Garden Flowers using my Mamiya 645’s both with 80 mm macro lenses..  Since I have something blooming all summer, I’m shooting two rolls of each film throughout my gardening season, and I’ll post as I go……..

Loving End to a Rough Couple of Weeks

I hope the my readers are aware of what has been going on in Society.  All I can say is that an African-American Woman, if has had a powerful effect on me.  But Friday a lovely thing occurred.  I found the Stone and Note on my Door Step:

HOPE

This was great to find after I discovered a disappointment at the Park on Friday.  First the Rock Tribute to Victims of COVID:

Lafayette2A

We had captured a Black Lives Matter Stone, placed there, we thought, because of how much harder the African American Community has been hit by COVID:

Lafayette1

Last Friday this had been removed by someone who felt threatened and hateful.  But later that evening I found this Stone of Hope on my doorstep from a neighbor:

HOPE

And My Day Ended Well!

Snow Sculpture I: A Retrospective

We missed the Snow Sculpture Competition this year due to bad colds and last year due to, well you know what………

Since I’ve never posted anything here regarding the Snow Sulptures, I’ve decided to do a best of Retrospective.  And Hoping to make it next years……Let’s Start with 2017:

Wisconsin

Iceland

 

The “Accidental” Camera Collector

What happens when your friends find out that you are a Film Camera User?  They start handing off their film cameras to You!  I’ve made some introductory notes about my new camera family members in my Photo Diary.  Here we’ll discuss camera collecting and view some results.  Most of my “Active” cameras are shown here.

We’ll start with some ‘Gifted Cameras’: The Rollei TLR, Yashica Electro 35 GSN, Fujica ST 705 and my Mom’s Kodak Jiffy 620.

The Rollei TLR was our first ‘gifted’ camera, being given to us by my father-in-law.  It is great for Portraits, and we certainly don’t use it enough:

 

To tell the truth, my neighbors were moving and gave me the Fujica and the Yashica extra lenses.  But the Yashica camera had accidentally been packed.  Since I had the lenses I went on Ebay and found a beautifully refurbished Electro 35 GSN.  So I bought it!  Images are posted for the Yashica and Fujica.  I’ve loaded the Kodak Jiffy, but still need to take it out for a stroll……..

 

Now, images from my medium format Camera Favorites:  the Mamiya-7, Mamiya-6, Mamiya 645, Fuji GW690-III, Fuji and GA645Zi.  The Featured image is from my M645.  I’ve recently published more from this Camera HERE.

Mamiya-7 Favorites:

 

 

Next a couple from the Mamiya-6.  Truthfully, this is my husband’s preferred camera, but every now and then I use it:

 

 

The Mamiya 645 was my first medium format camera.  I started with the 1000S and moved on to the Pro versions for the changeable backs.  My Ancient Forests were taken with the 1000S.  The images below are from the Pro-versions:

 

Recently I did buy a beautifully refurbished 1000S which I mostly use for fisheye photos:

 

 

The Fuji GW690-III.  My best shot so far from this Camera.  Still learning my way around it:

Roosevelt_Dam

And how could I forget my Canonet G-III QL:

CanonRange

I had another Canonet (older model) that I have given away.  The original Canonet I had inherited from my Mom because it was too complicated for her.  That one was unfortunately stolen, but I liked it enough to obtain a replacement when I had the chance.I always intended that this would be my ‘car camera’.  You know,  always in the car with me so I have a decent camera on hand and not just my cell phone.  In 2020 I will make this happen.  A favorite Canonet image from the Boreas Pass Festival:

ComoBaggage

And Finally, the Fuji GA645Zi, which I typically use for street photography and low light interiors:

 

Now for some Pinholes:  the Holga Panorama Pinhole, Diana Pinhole, RSS 6X6F and RSS 6X9F.

First the Holga Pinhole:

 

 

And the Reality So Subtle Pinholes.  Still working with the 6X9F, but I do have quite a few from the 6X6F that have turned out well:

 

I’ll be exploring more RSS Pinholes for My Inner Monet Series. And I have done some Diana Pinhole work too.  You’ll see more featured in My Inner Monet as well:

LilyLake_PinholeDay_2018

Some other Plastic Cameras:  Holga, Diana and my newest Debonair. I have a lot of Holga Images because I used it for the first 6 months of the 2016 52 Rolls Project.  But below are some Oldies but Goodies, from when I first met Holga in 2006:

 

 

I’ve been quite taken with the Diana Camera lately, and I will be using it for the second quarter Frugal Film Project since it has a Pinhole setting that I can use for World Wide Pinhole day in April.

 

 

I haven’t finished my first roll through the Debonair yet.  But keep a lookout for it soon…..

Debonair2_Posted

Frugal Film Project: Roll #3

HearseCon 2019:

 

Sort of a Middle-Aged Goth Experience………..

Instagram censored and blurred out the second image with the pick axe.  Tooo Disturbing?

Inspired By: The Littlest Holga

You can follow The Littlest Holga on Twitter (@Littlest_Holga).  Probably the most successful thing I’ve ever done with on-line photography was sending a Purple Fluorescent Holga to @Givemeabiscuit (on Twitter) as part of my first EMULSIVE Secret Santa.  Half serious and half a joke, Holga was at that time going out of business.  So I thought it would be a good gift.

Now Littlest Holga travels the world making fun and fabulous images.  Holga was my introduction to medium format during an Experimental Photography class in Monterey.  I was so inspired by Holga that I chose to use it for my first 6 months of the 52 Rolls Project.  So here are a few of my recent Holga Favorites…..

And Early Holgas from that Experimental Photography Class:

 

 

 

 

 

 

 

 

And an image made using the Fisheye lens gift that I received from my first Secret Santa…….

Labyrinth

And Below….My Holga Panorama Pinhole……..

TheCreek

See More of My Holgas Here

 

Alternate 5-Frames: HearseCon 2018

So here we go.  I’ve decided to re-publish my Emulsive Articles here, after this particular submission disappeared into the ether of the internet.  I explained my position and recommendations on the subject here. All re-publishings will be marked as “Alternate”.

So here is Alternate 5-Frames HearseCon 2018:

5 Frames of Lomo 400, Exposed @ ISO 400 (645 120 Format) by Kathleen Johnson

Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi. This is my medium format street photography choice because of the auto focus and zoom capabilities. Read the Camera Review on EMULSIVE here. I’m not so negative about that camera as the reviewer. I wanted a ’point and shoot’ medium format camera and that’s what it is.

Now for the Festival: HearseCon 2018. Yes it is what it sounds like, an annual convention held here in the Denver area for Hearse Enthusiasts. They come from all across the Western US and Canada, some with beautifully restored Hearses, as you will see here today. Think of HearseCon as a Goth Cultural Experience for Grown-Ups and you’ve got the Picture. There are Hearse Show events across the country if you ever want to experience one, but I think this is one of the largest.

In the past I’ve used B&W film for HearseCon, because I thought it would capture the grittiness of the event. Last year I tried Lomo Lady Grey 400, but I wasn’t satisfied with the results using this particular film, and I’ve found the GA645Zi shines best with color film. So I pulled out the Lomo 400 Color, because I didn’t quite want the sharpness of Portra 400. In other words, Lomo 400 has a bit more grain and that suits the subject matter. Sometimes hard to know what the focus point will be with the GS645Zi, but the subject turned out very sharp anyway……..

 

 

About the Car: My bad, I took a cell phone picture of the information sign, but didn’t write anything down (and didn’t check the image before leaving). The joke was on me because I couldn’t read the sign later. But thanks to the Internet I was able to narrow down the Model and Year. Above is likely a Vintage 1937 Buick model, Sayers and Scoville Byzantine Hearse with a straight-8 engine. The Owners were from Utah. Sayers and Scoville is still building custom hearses.

You’ll find more HearseCon Images Past & Present Here.