Tag Archives: Colorado

Film Expertise?

I have posted this on Twitter.  But I wanted to give my followers here a chance at answering this question too.  In the future I will write an ‘article’ here on my feelings and the results of my survey.  Here it is:

How many films is it really possible to be an expert at using?

While here in Arizona, I’ve been testing various films that I hadn’t used before (e.g. Silberra, Ilford FP4, the new Kodak E100),  In most cases for B&W I use Kodak T-MAX 400 and Ilford SFX-200; for color I’ve settled on Kodak Portra 400 (pending my results for E100).  I know these films well, and I usually get the expected results.  When I experiment with new films, the results are up in the air.  Yes with my ‘expert’ films I made early mistakes but worked through it. Now I wonder if it is worth the the time to learn about MORE films or stick with what works?  So let me restate the question:

What films do you use and how many do you feel it is possible to be an expert with?  Please leave a comment or vote on Twitter @AnalogPhotoBug, and look for the future article.

Kodak T-MAX 400:

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The Symbol of My Journey

Kodak Portra 400:

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Ilford SFX-200:

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Alternate: Rediscovering My 35 mm Soul…

I asked my self this question very recently: Can one photo make a difference? You Betcha! And here is the photograph that made the difference for me:

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For more than a decade I’ve focused on Medium format photography (Mamiya 7, Mamya 6, Mamiya 645). This left my half dozen or so Minolta 35 mm cameras very unloved. Oh, I would occasionally take them out for road trips; my snap shot, on the go cameras. For those time you just want to jump out of the car and take a quick picture, without dragging out the carefully pack ‘real’ camera gear. But I’ve increasingly used my ‘hand me down’ Nikon D-40 for that purpose.

Last Spring I decided to roll with my Minolta XD-11 as the road trip camera. We were on the highway, heading home from a photography workshop. My husband had seen an abandoned bridge he wanted to photograph on our outbound trip, but the light was not ideal. So we stopped on the way back at the same roadside rest area.

While he was setting up his 4X5 view camera, I grabbed my 35 mm and wondered around. And I saw this image across the road. I walked over for a closer look. Took a couple of quick shots, and wondered back to the car.

Later in the year I actually printed this image in my home darkroom and shared it with my photographer friends, and showed it at a friends gallery. The response was so positive that I entered it in an online gallery contest. And Success! It made me re-evaluate my relationship with my Minolta cameras (XD-11, X-700, SRT-201, SRT-101). I also realized that I should not discard 35+ years of experience with this camera format.

So take a second look with those 35 mm cameras that you’ve packed away. Most won’t sell for much on EBay. So use them, or pass them on to the many student film photography programs that are asking for donated cameras. One that comes to mind is the Weston Collective Scholarship Program. And if you know of others, please feel free to leave contact information in the comments.

And I leave you with this thought, generations of photojournalists made a difference with one 35 mm image.

Tech Info: Minolta XD-11 with Tamron 28-200 zoom lens; Kodak T-MAX 400 film.

Read the original Emulsive Article.

Also Part of The Story and Imagining the Image.

Back in the Saddle Again: At the Artist’s Studio

As usual I get Special Recognition of some kind…………We’ve discussed what that might mean before.

KEJohnson_Convent
The Symbol of My Journey

But I like the Light Space and Time Gallery………I think that they are Fair, so I’ll Keep supporting them.  Check it out and consider sending something in.

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Alternate 5-Frames: HearseCon 2018

So here we go.  I’ve decided to re-publish my Emulsive Articles here, after this particular submission disappeared into the ether of the internet.  I explained my position and recommendations on the subject here. All re-publishings will be marked as “Alternate”.

So here is Alternate 5-Frames HearseCon 2018:

5 Frames of Lomo 400, Exposed @ ISO 400 (645 120 Format) by Kathleen Johnson

Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi. This is my medium format street photography choice because of the auto focus and zoom capabilities. Read the Camera Review on EMULSIVE here. I’m not so negative about that camera as the reviewer. I wanted a ’point and shoot’ medium format camera and that’s what it is.

Now for the Festival: HearseCon 2018. Yes it is what it sounds like, an annual convention held here in the Denver area for Hearse Enthusiasts. They come from all across the Western US and Canada, some with beautifully restored Hearses, as you will see here today. Think of HearseCon as a Goth Cultural Experience for Grown-Ups and you’ve got the Picture. There are Hearse Show events across the country if you ever want to experience one, but I think this is one of the largest.

In the past I’ve used B&W film for HearseCon, because I thought it would capture the grittiness of the event. Last year I tried Lomo Lady Grey 400, but I wasn’t satisfied with the results using this particular film, and I’ve found the GA645Zi shines best with color film. So I pulled out the Lomo 400 Color, because I didn’t quite want the sharpness of Portra 400. In other words, Lomo 400 has a bit more grain and that suits the subject matter. Sometimes hard to know what the focus point will be with the GS645Zi, but the subject turned out very sharp anyway……..

 

 

About the Car: My bad, I took a cell phone picture of the information sign, but didn’t write anything down (and didn’t check the image before leaving). The joke was on me because I couldn’t read the sign later. But thanks to the Internet I was able to narrow down the Model and Year. Above is likely a Vintage 1937 Buick model, Sayers and Scoville Byzantine Hearse with a straight-8 engine. The Owners were from Utah. Sayers and Scoville is still building custom hearses.

You’ll find more HearseCon Images Past & Present Here.

 

Somehow Interesting……

Sometimes you see an image, and know that it has to be captured, even if an unconventional subject.

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Which Crop do You Prefer?

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I think what I really like is the water fountain.  So maybe I’ll try a closer crop?

Let’s Take A Break………

Let’s take a break from all of the Artistic Seriousness.  Sometimes photography should just be FUN!  So I’ll share with you A tasty morsel from our Team Building Garden at work: Courtesy of Team Plantform….

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And it was VERY YUMMY!

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I’ve also tagged this as an ‘Intersection’, because Gardening is its own Art Form……

Just When We Thought it was Safe……..

After discussing the “Contest Trap” in previous posts….. of course I have just entered another contest for the Denver Architecture Foundation, sponsors of Doors Open Denver.  My interests in the contest was two-fold:  I’m a member of DAF and the co-sponsor Colorado Photographic Arts Center (aka CPAC, and unfortunate acronym): I love photographing Architecture…….Also it was open to any architecture within the Denver City limits, no stated time limit.  So although the Clock Tower was taken at a DAF Open House, none of the images are from the actual Doors Open Denver Event.

I tried to avoid cliched images….Did I Succeed?

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My Expectation is that I will again fall into the “Special Merit Category” which means, OK but not our style……..