Part of an Old Armory in Denver, coverted to a B&B:
Lots of online publications this year. But only two since July 2020. Those, summarized below. And, well, I was actually publishing one of those terrible Professional Papers linked here.
AUGUST 18, 2020, 35mmc, Kodak Jiffy VP Art Deco Camera – My Pre-1940’s Camera Project – By Kate Johnson
Back to the Mayo Clinic after my local Drs agrrd that they had no immediate explanation for my blindness in the keft eye……
Please Keep me in your Thoughts and Prayers…….
We made our annual trip over Boreas Pass. At the south end of the Pass is the town of Como. There are inhabited and restored buildings, such a the Train Station:
But I think many of the abandoned buildings are more interesting:
And them there are the somewhat restored and used buildings:
See More Pictures of Como and the Boreas Pass RailRoad here. Also a lot more doors!
AGH, what a fiasco. I had this interesting image and wanted to make a print to go over my fire place mantle:
You’ve seen this one before. But, over time with the proofs from the drum scan changed my tastes after they showed me a different option, and I wanted to move in a different direction:
But the Print Specialist didn’t want to work on it anymore. My husband suggested that my order wasn’t important enough (i.e. not enough income) to make it worth their while. I worked on the Drum scan myself a bit, but wasn’t making easy progress:
You can see I have quite a bit to do before it looks like the professionally done image. Then I read this Scanning Article on EMULSIVE and decided to do a little experiment of my own. I mostly learned that drum scanning a 35 mm negative is a waste of time…….So I tried a hi-resolution (6500 dpi) scan with my Epson Perfection V700.
And Mike’s Camera Store in Boulder, Colorado, was willing to work with me. Then the lockdown happened and although my order had been placed, I had to await the re-opening to get it. Now placed over my Mantle:
And a smaller version in my Office, which I may end up giving away……..Both wall portraits were taken with my Mamiya-7 on a tripod using Portra 400 film.
Mike’s now has me as a permanent customer for color printing……..
Continuing with the Showdown that I started a few days ago. I’ve been using E100 over a year. I’m midway in a film showdown between Kodak E100 vs Fuji Velvia 50. I had always preferred Kodak in the past, however, after some 35 mm experiences last year I had doubts. I had always used E100GX, a warm toned film of the old generation. The new film was based on a colder version E100G. But to be fair, I decided to do some formal color test comparison. This is Part, I am comparing four images of the Owl Mural made with four different films: E100, Velvia 50, Portra 400 and Lomo 800. For the direct comparison of the E-6 films I used my Mamiya-7’s; the Portra was exposed using a Mamiya-6; and the Lomo 800 was exposed using a Diana F+, for the Frugal Film Project.
First I’ll show them in pairs, then break down my critique of each one. Naturally I have selected my personal favorite for the Header image above.
Left: Lomo 800; Right: Portra 400. I made no adjustments for tone or contrast; only cropping to make them comparable in size. All of the image were exposed on overcast days. The first comment I can make is that both C-41 films are truer to the actual mural colors. The Portra 400 has a richer color tone which I would expect for the lower ISO film. But you have to admit that the Lomo 800 is very good, especially since it was exposed using a plastic camera. The winner here is Kodak Portra 400:
Now for the main event, E100 (left) vs Velvia 50 (right):
As one would expect, the E-6 films have a more saturated color. Not quite a natural representation. But in my lifetime experience with film (going back to childhood) I’ve mostly shot E-6. As a field scientist back in the pre-PowerPoint days, I needed to show my information in slide presentations. So that meant E-6 films. In my earlier professional days I used ECN films. When that was discontinued I switched to Kodak E100GX.
If you read my earlier experiences with E100, you’ll be able to decide which one I prefer. I simply find the E100 too cold. So the Winner here is, Fuji Velvia 50. I enjoy the richer and brighter blues and purples……
So these are my two favorites. I can accept either one depending on what I am trying to demonstrate. Which one do you prefer?
Stay tuned, right now I am continuing the side-by-side testing of these films as my Mamiya 645’s take a tour of my flower and vegetable gardens. I’m going to give E100 every possible chance to show me something that I’ll like.
And I may do a follow-up Road-Trip landscape comparison. In that case, I’ll see if a warming filter makes me feel better about the new Kodak E100.
A local reservoir, but I couldn’t find any information on this Building. I’m assuming it is some type of valve and pump house.
First the Door: I was told that the Hawk Symbol was part of a Scavenger Hunt Trail…..
And view from across the Lake:
Finally, an image made on Pinhole Day, but not the one I submitted……See the Submitted Photo Here.
Above, a cropped Mamiya7 image with Portra 400. Giving you a hint of the doors…..
Still figuring out the right distance for my RSS 6X9. I’ll retake these standing a bit closer. But it’s all about learning for My Inner Monet……..Read more about the Center Here.
Above and below, some very distant Doors……….We take our last look at Snow?
These image was actually from January 2020.
Out today with the RSS 6X6, Rss 6X9 and Diana Pinholes.
Organizing my cameras again, I found two of my 35 mm cameras had been put away with partially exposed rolls of film. So I took them out to finish the rolls for the #camerachallenge. : one Portra 400 and one HP5. So I have both color and B&W to share:
My Arcosanti Bell
For me, Shadow often means Light! To make a Shadow you need the Light
View of Shadows in the same Window a few hours apart. Shadows move and change with the Light.
My Home has a lot of windows….so I have a lot of Shadows Indoors.
But there are Shadows outside as well. Above: what would I do without my satellite television. Below: A tree and it’s shadow on a neighbor’s house.