Category Archives: Nature

Frugal Film Project Roll #6: The Yashica Electro 35 GSN

Here are some example images from my second Frugal Film camera option for 2020. The Yashica Electro 35: also has two lenses that attach to the 45 mm Normal lens:  a wide angle lens (37.7 mm) and a telephoto lens (58.4 mm).  These extend or decrease the focal length of the Normal lens to the given focal lengths.


So I tested all three lens set-ups.  First my Castor Bean Plant, left to right: wide angle, normal and telephoto lenses.


And views from Cache la Poudre, same lens arrangement as above:

Wide Angle

I need to work on the focus a bit.  I still say that Mamiya has the best rangefinder focussing viewfinders.  Very large and bright.  This one, maybe second best.

So now I am waiting on the final rules and schedule for the 2020 campaign, when I become an official member………

Lomo Purple Pinhole Time Test: When Does the Purple go?

OK I was using an unfamiliar camera, so I did not get to expose the entire roll.  But as luck would have it I did capture the critical times, left to right: 20, 30 & 40 seconds.


We can see that at 20 seconds the purple is still holding on.  At 30 seconds we see that the purpleness is beginning to break down.  And by 40 seconds the purple is losing!  So this explains why my 1 minute exposures didn’t work  This also reinforces that this particular film is not suitable for Pinholes.  Now we can put that to rest and return to Portra for Pinholes!  The Lomo Purple Fettish has ended!

Lomo Purple Revisited: Lessons Learned Part II


Lomo Purple is definitely an interesting film.  I had never tried a ‘special effects’ film before.  And surprisingly, I like it.  But there are some caveats that never seem to be mentioned in Lomo Purple posts and promotions,

So this is more of a user’s guide than a film review.  I’ll let you try the film and decide if you like it. FIRST:  the angle of the sun with respect to your image scene is the biggest factor for a successful image.  I’ve discussed in a Lomo Purple is definitely an interesting film.  I had never tried a ‘special effects’ film before.  And surprisingly, I like it.  But there are some caveats that never seem to be mentioned in Lomo Purple posts and promotions, I have touched upon this in previous post and hope to publish a full summary review of my experiences soon.  But note that the ideal sun angle is 90 to 180 degrees from the image scene.  In my most recent Lomo Purple roll shown here, I was careful with the sun angle.


I have one more roll of medium format Lomo Purple being developed now.  I also plan on running an exposure time test for the RSS Pinhole.  AND in a few weeks I expect an @35mmc summary article of My Lomo Purple experiences to be published.

Frugal Film Project Roll #4: and the Light Meter Failed……

I had been debating a camera change for my official membership in the 2020 Frugal Film Project.  But as I worked my way through the August #camerachallenge, the light meter on the Canonet failed, and it’s not worth fixing.  So in a future post I will be proposing three possible camera replacements for Frugal Film 2020, and I’ll have you vote for your favorite in November………

For now, here are six favorites from the #camerachallenge which I shot with the Canonet and planned to use for both projects this month:




Why Fisheye?

I’ve realized that I had several Fisheye lens/camera set ups.  My First was a Zenitar Fisheye for my 35 mm Minolta Family:



Minolta Zenitar Redwoods:


Next I acquired a Lomo Fisheye:


Then a Fisheye attachment for the Holga.  My First Emulsive Secret Santa Gift:


Next A Fisheye Lens for My Diana:


Wow this is out of control right?  So I thought about “Rewarding” myself with a Mamiya 645 fish eye lens after recovering from a recent illness.  The price though, was daunting  (~$1200) and I thought about how little I actually use any of my other Fisheye Lenses. Then I became aware of the Arsat Zodiak-8 Fisheye, and picked one up for $120.  In fact I bought two cameras and two lenses for the cost of the most expensive M645 Fisheye listing ($1800).

So, now for the first results from the Arsat with comparisons to my 35 mm Fisheye:


Chapel on the Rock: 645 Arsat Fisheye, Peak to Peak Highway


Above: I call this one the “Tree on the Rock”  also Peak to Peak Highway.

Now from some side by side comparisons to my 35 mm Zenitar Fisheye )left B&W is 645; right color is 35 mm):  These were taken from the same tripod position.






If you are old enough to remember, the 1970’s were a Fisheye crazed time.  Even the original Hawaii 5-0 had a fisheye view of a landing plane in its Intro. But, I haven’t answered my question yet:  Why Fisheye?  Well, just for the fun of it!

Post Script:  I haven’t forgotten 9/11, I’m just not going to support the politicization of it.  I will Always Honor those who died.

B&W Flowers from My Garden

OK, I’m a believer.  Photographers were always raving about Ilford HP5.  But I didn’t share the fascination until this past Spring.  On my Journey to Phoenix I wanted to take 35 mm B&W film.  The only thing I had in the fridge was Ilford HP5.  So I grabbed the 5 rolls and headed out………

And I’ve finally discovered the situations where the ‘GRAIN” works for me.  Here is a summary of my HP5 Best Case (all HP5 except where noted):



(Note: the datura, upper right is T-MAX)


(Note:  Yuca Baccata, upper left, is digital IR)

September on my Other Blog is all about B&W in the Garden.